Academic
[Forthcoming] “Introduction: Sex, Lies & Embodiment”, co-authored with Dr Sabine Sharp, Psychoanalysis, Culture & Society, 2026.
[Forthcoming] “Breaking the Cycle: The Promise of Heterosexuality in Time Loop Narratives” in Unspool: Critical Time Loops in Screen Media, edited by Nick Jones, Edinburgh: Edinburgh University Press, 2026.
“Flashing Lights: Strobe, Cinema, Affect,” in A. Tagliapietra, C. Piccione, E. Maglione, G. Ghirelli (eds.), Storie dell'idea di immagine. Dalla filosofia antica all'arte contemporanea [Stories of the idea of image. From ancient philosophy to contemporary art], Mimesis Edizioni, Milano 2022, pp. 457-474.
“A Matter of Life and Death: Cinematic Necropolitics in Arrival,” Free Associations, No 79 (2020), pp. 121-141. DOI: https://doi.org/10.1234/fa.v0i79.350.
“Love 2 Hate You: Jouissance Between Identity and Capital,” Introjection Calendar 2018, Montez Press, 2018.
Reviews
Frieze:
John Stezaker’s Lingering Shadows, March 2022.
The Best Shows to See at Manchester International Festival, July 2023.
Manchester International Festival: 5 Things You Can’t Miss, June 2025.
Authority: The Biting Criticism of Andrea Long Chu, July 2025.
Book, Film & Art:
Circumcision on the Couch by Jordan Osserman, Psychoanalysis & History, Summer 2024.
Psychoanalysis and Revolution: Critical Psychology for Liberation Movements by Ian Parker and David Pavón-Cuéllar, Penumbr(a): A Journal of Psychoanalysis and Modernity. “2: Beauty,” Fall 2022, 221-233.
Females by Andrea Long Chu, AC Review of Books, Vol. 1, No. 2, Spring 2020, pp. 17-19.
Lars Von Trier’s renewal of film 1984-2014 by Bodil Marie Stavning Thomsen, Studies in European Cinema Journal, 2020, pp. 421-423. DOI: https://doi.org/10.1080/17411548.2020.1741136.
The Favourite (Yorgos Lanthimos, 2018), Queer Studies in Media and Popular Culture, Vol. 4, No. 2, 2019, pp. 223-226. DOI: 10.1386/qsmpc_00007_5.
Contemporary Political Cinema by Matthew Holtmeier, Film-Philosophy, Vol. 3, Issue 3, Oct 2019, pp. 399-402.
“Screening Desire: BFI Flare London LGBTQ+ Film Festival”, Senses of Cinema, Issue 91, July 2019.
Lee Bul’s Crashing at Hayward Gallery, Southbank Centre, London, Queer Studies in Media and Popular Culture, Vol. 3, No. 3., 2018, pp. 395-402. DOI: 10.1386/qsmpc.3.3.395_5
Other projects
“Warning: Contains Flashing Images! Strobe on Film”, University of St Andrews Centre for Screen Cultures Playlist Initiative, October 2020.
“Strobe”, Interview on Synaptic Island, Resonance FM, June 2020.